belvedere.

[canon av-1]

a concrete approach.

[zeiss ikon contina IIa]

national park center (yes, olgiati indeed).

zernez.

[canon av-1]

cattle bells, walls and colourful facades.

unclear mind.

[zeiss ikon contina IIa]

i just want to say thank you for visits and comments here.
i hope to keep up the posting better than i have done the last months. 
i work full time now, and haven't learned how to use the little time that is left. 
there are still some swiss images i'd like to share, and the spring that finally arrived. 
happy spring to you!

our eyes in the sky.

[canon av-1]

roses of bardill.

[zeiss ikon contina IIa]

"the formwork is made of spruce from trees that are felled every spring in the forest around 
the village. a carpenter cut the wood into boards of different widths, allowed it to dry, and 
then planed it. [...] when poured conrete is used, thought needs to be given to the 
appearence of the surface. [...] a total of five hundred rosettes are found on the structure. 
we could use our formwork between three and five times. one hundred and fifty rosettes 
were carved by hand in two months by two cabinet makers."

valerio olgiati

the young and the old.

[canon av-1]

atelier bardill.

oberrealta.

[canon av-1 & zeiss ikon contina IIa]  

lunch by the chapel.

empty school.

[zeiss ikon contina IIa]

only echoes from kids voices.

"just pour it".

[canon av-1]

valerio olgiati's famous words about what to do with concrete.

bridges of viamala III.

[canon av-1]

wandering down.
from the light in those tree tops,
to bridges over shady clefts.

bridges of viamala II.

[canon av-1]

jürg conzett, pùnt da saransuns, viamala, cantone dei grigioni, svizzera, 1997-1999.

bridges of viamala I.

[canon av-1]

swiss roadtripping.

[canon av-1]